Connect with Broadway's best

We are excited to bring together a spectacular cast of guests spanning a wide range of ages, interests, and artistic and professional backgrounds to celebrate our fifth year!

New guests are added all the time, so check back often to see who will be joining us for BroadwayCon 2020.

Follow our Facebook, Twitter, and Instagram to be the first to know when we announce new special guests!

Note: All special guest appearances are subject to professional work commitments. Autograph and photograph sessions are subject to guest availability. As such, we can not guarantee that all guests listed will be sitting for autograph and photograph sessions during the event. Be sure to check the final schedule for a full list of autograph and photograph sessions. Autograph and photograph sessions are assigned via lottery. Additional information about the lottery will be announced at a later date.

2020 Featured Guests Include:

Heidi Blickenstaff

Freaky Friday, Something Rotten!, [title of show]

Heidi Blickenstaff Broadway: Something Rotten! (Bea Bottom, Outer Critics nomination), The Addams Family (Alice Beineke), Disney’s The Little Mermaid (Ursula), [title of show] (Heidi), and The Full Monty. Other New York: New York City Center's Encores!: The Most Happy Fella (Cleo); The Vineyard Theatre: Now. Here. This. and [title of show].Favorite Regional: The Weston Playhouse: Next to Normal (Diana); The Old Globe: Dog and Pony(Jane/Bonnie); Kennedy Center, Signature Theatre and PBS: First You Dream: The Music of Kander and Ebb; Ford's Theatre: Meet John Doe (Ann Mitchell, Helen Hayes Award). Most recently, Heidi created the body-swapping role(s) of Katherine (and Ellie) in Disney's Freaky Friday for Disney Channel and Disney Theatrical Productions (Helen Hayes and Outer Critics nominations). Heidi can be seen and heard on the DVDs of Freaky Friday and PBS’s First You Dream as well as on many Broadway and concert albums available wherever music and DVDs are sold. www.HeidiBlickenstaff.com

Alex Boniello

Alex currently stars as Connor Murphy in Dear Evan Hansen on Broadway. Other Broadway: V/O Moritz in Deaf West Theatre’s Tony-nominated revival of Spring Awakening. Other theatre: Lin-Manuel Miranda’s 21 Chump Street (This American Life/BAM); Stilyagi (Vassar/NYSAF), Million Dollar Quartet (Papermill Playhouse); Cruel Intentions the Musical (LPR), Brooklynite (Vineyard Theater); Here’s Hoover! (Abrons Arts Center); I Am Harvey Milk (Lincoln Center); and the national tour of Green Day’s American Idiot. Select TV: Marvel’s “Jessica Jones,” “Happyish,” “Welcome to Greenpoint,” “Saturday Night Live.” Film: "Alt Space," "Contest," "Detachment." Alex is also a Tony Award-winning Producer for his work on the 2019 Best Musical Hadestown.
Tommy Bracco

Pretty Woman, Newsies, A Chorus Line

Tommy was born, raised and currently resides in Staten Island, New York. You can catch him playing Giulio in this season’s new Broadway musical Pretty Woman! Other theater: Disney’s Newsies (OBC), A Chorus Line (City Center Encores!), The Hairy Ape (Park Avenue Armory), Grease (Papermill Playhouse). TV/ Film: Disney’s "NEWSIES: Live!," "Isn't It Romantic," "Fourth Man Out," "Nurse Jackie." Tommy is the cofounder of LION ARTS (along side one of his best buds Adam Kaplan), a program that amplifies confidence and provides audition training for young artists! Lionartsnyc.com
Patrick Hinds

True Crime Obsessed, Theater People

Patrick Hinds is the creator and producer of the Webby Award-nominated podcasts "Theater People" and "Broadway Backstory." Patrick is also the producer and co-host of the popular true crime/comedy podcast "True Crime Obsessed."


Joe Iconis

Be More Chill, "Smash"

Joe Iconis is a composer, lyricist, writer, and performer. He has authored the musicals Be More Chill, Broadway Bounty Hunter, Bloodsong of Love, and many others. He is currently in development on the Hunter S. Thompson Musical, as well as Love In Hate Nation. The original cast recording of his musical phenomenon Be More Chill has over 300 million streams worldwide, and his song “Broadway, Here I Come!” was hailed by the New York Times as a new entry in the Great American Songbook. Joe’s songs appeared on NBC’s “Smash,” and his writing has been featured in The NY Times and The Dramatist. He has been nominated for two Drama Desk Awards, a Lucille Lortel Award, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, an ASCAP Harold Adamson Lyric Award, a Doris Duke Grant, and a MAC John Wallowitch Songwriting Award.

Caitlin Kinnunen

The Prom, The Bridges of Madison County, Spring Awakening

Caitlin Kinnunen: Broadway: The Prom (Emma. Tony nomination), The Bridges of Madison County (Carolyn), Spring Awakening (Thea). 1st national tour: Next to Normal (Natalie US). Regional theatre: Alliance Theatre, Sundance Institute Theatre Lab, Williamstown Theatre Festival, Eugene O’Neill Theatre Center, Weston Playhouse, The 5th Avenue Theatre, and Village Theatre. Film/TV credits include “The Intern,” “Sweet Little Lies,” “It’s Kind of a Funny Story,” “We Need to Talk About Kevin,” “Younger,” “American Vandal,” “The Knick,” and “Law & Order: SVU.” www.caitlinkinnunen.com
Andrew Kober

School of Rock, Sunday in the Park with George, She Loves Me

Andrew Kober has appeared on Broadway in School of Rock, Sunday in the Park with George, She Loves Me, Les Miserables, and Hair, as well as the West End production of Hair. He toured nationally in The 25th Annual Putnam County Spelling Bee and has appeared off-Broadway and regionally with MCC, Roundabout Theatre Company, The Public Theatre, New York Theatre Workshop, The Old Globe, Yale Rep, Williamstown Theatre Festival, Bucks County Playhouse, The Denver Center Theater, Barrington Stage Company, and four summers at Shakespeare in the Park, most recently playing Malvolio in the 2018 production of Twelfth Night. His television credits include “Ray Donovan,” ”House of Cards," "Boardwalk Empire," "Blue Bloods," "Pan Am,” and the upcoming FX miniseries, “Fosse/Verdon.” Twitter: @andrewkober

Judy Kuhn

Fun Home, Les Misérables, "Pocahontas"

Judy Kuhn is a four-time Tony Award nominee, most recently for her performance as Helen Bechdel in the Tony Award-winning musical Fun Home, a role she created in the original Public Theatre production (2014 Lucille Lortell Award). Other Broadway credits include the original casts of Chess, Les Misérables, Rags, Two Shakespearean Actors, and The Mystery of Edwin Drood, as well as the Roundabout’s 1993 revival of She Loves Me and the 2016 revival of Fiddler on the Roof. Recent theater includes Trevor Nunn’s production of Fiddler on the Roof in London’s West End, Stephen Sondheim & James Lapine’s Passion at Classic Stage Co. (Drama League Award Nomination), and The Cradle Will Rock at City Center. Film & TV includes the title role in Disney's "Pocahontas," "Enchanted," "Elementary," "Hope & Faith," "Law & Order," Les Misérables 10th Anniversary Concert, and The Kennedy Center Honors. Judy has performed on concert stages around the world including Carnegie Hall, Avery Fisher Hall, The Hollywood Bowl, and The Royal Albert Hall in London. In addition to numerous cast recordings, Judy has recorded four solo CDs, most recently "Rodgers, Rodgers & Guettel" (PS Classics).

Kristolyn Lloyd

Dear Evan Hansen

Kristolyn Lloyd's stage credits include Broadway: Dear Evan Hansen. Off Broadway: Blue Ridge (Atlantic Theatre Co.), Paradise Blue, The Liquid Plain (Signature Theatre), Dear Evan Hansen, Invisible Thread (Second Stage Theatre), Heathers The Musical (New World Stages), Cabin In The Sky (Encores City Center). Regional: Paradise Blue (Williamstown), Witness Uganda (A.R.T.), Heathers The Musical (The Hudson), Hairspray, Rent (Hollywood Bowl), Once on this Island (Reprise Theatre). TV includes: "Random Acts of Flyness" (HBO),"Elementary","Madam Secretary" (CBS), "ER" (NBC), and "Lie to Me." (FOX). Graduate of Carnegie Mellon University.

Beth Malone

Angels in America, Fun Home, The Unsinkable Molly Brown

Beth recently played the Angel in the Tony winning Broadway revival of Angels in America, directed by Marianne Elliot. She was nominated for a 2015 Tony Award and Grammy for her role of "Alison" in Fun Home. Malone most recently starred as the titular character in the world premiere of The Unsinkable Molly Brown, directed by Kathleen Marshall. She's in the original cast of Ring of Fire, The Marvelous Wonderettes, and Bingo!. Film: "The Comedian" co-starring opposite Robert DeNiro and Edie Falco, "Hick" with Eddie Redmayne, Sundance winner "Brittany Runs A Marathon" opposite Jillian Bell, and the upcoming "God Committee." Beth recurred on CBS’s "Braindead." Other television credits include "Bull," "The Good Wife," "Reno 911," "Judging Amy," "Laying Low," "What's On?," "One Minute Soaps," and the Fox pilot "Second Nature." She is the author and star of the critically acclaimed one-woman show Beth Malone: So Far.
Donna Murphy

Hello, Dolly!, Passion, The King and I

Donna Murphy is one the most acclaimed and beloved theater actresses of her generation. A two-time Tony Award winner for Passion and for The King and I, other theater highlights include Hello, Dolly!, The People in the Picture, LoveMusik, Wonderful Town, Into the Woods for the NYSF, Hello Again and Twelve Dreams at Lincoln Center, Anyone Can Whistle and Follies for Encores!. She was honored with the Drama League Award for Outstanding Achievement in Musical Theater and has earned five Tony Award nominations, and multiple Drama Desk and Outer Critics Circle Awards. Select film and television: Vera Farmiga’s "Higher Ground," Todd Solondz's "Dark Horse," "Center Stage," "The Bourne Legacy," "World Trade Center," "Spider-Man 2," "Star Trek: Insurrection," the voice of Mother Gothel in Disney's "Tangled," "The Blacklist," "Quantico," "Resurrection," "Royal Pains," "The Good Wife," "CSI," PBS's "Mercy Street," and HBO’s "Someone Had to be Benny" (Daytime Emmy Award).

Brad Oscar

Something Rotten!, Big Fish, Nice Work If You Can Get It

Broadway: Something Rotten! (Tony Award nomination), Big Fish, Nice Work If You Can Get It,The Producers (Tony Award nomination), The Addams Family, Spamalot, Jekyll & Hyde, Aspects of Love. National Tour: The Phantom of the Opera, Young Frankenstein, Jekyll & Hyde. West End: The Producers.Off-Broadway: Sweeney Todd, Forbidden Broadway, The Body Beautiful, Encores! Annie Get Your Gun, Bells Are Ringing, and Do Re Mi. Regional: The Gods of Comedy(McCarter Theater/Old Globe), The Squirrels (La Jolla Playhouse), Hairspray (KC Starlight), Fiddler on the Roof (Barrington Stage), Barnum (Asolo Rep/Maltz Jupiter- Carbonell Award, Best Actor in a Musical), The Mystery of Irma Vep, Cabaret and Damn Yankees (Arena Stage), The First Wives Club (Old Globe). Film: "Ghost Town," "The Producers." Television: "Madam Secretary," "Smash," "The Good Wife," and three "Law & Orders."
Gillian Pensavalle

True Crime Obsessed, The Hamilcast: A Hamilton Podcast

Gillian Pensavalle is the creator and host of The Hamilcast: A Hamilton Podcast. Since January 2016, Gillian has welcomed dozens of Hamilton's cast, crew, and creatives (yes that means Lin-Manuel Miranda, Alex Lacamoire, and Thomas Kail!) into her apartment to have fun, raw, and engaging conversations about making and maintaining this phenomenal show. Additionally, Gillian speaks to those who are "Hamilton-adjacent" (members of Freestyle Love Supreme; historian Joanne Freeman; super fan Anthony Rapp to name a few) to talk about the show's influence. Gillian is also the co-host of True Crime Obsessed with podcast royalty Patrick Hinds. To the revolution! @TheHamilcast @TrueCrimeObsess @GillianWithaG
Erin Quill

Avenue Q, Dave, Flower Drum Song

Erin Quill holds a BFA from Carnegie Mellon. In addition to being a member of the Original Broadway Company of Avenue Q, she has been in the 50th anniversary company of Flower Drum Song, The King & I, and the upcoming DAVE – where she worked with Nell Benjamin, Tom Kitt, and Tina Landau.

Anthony Rapp

Rent, If/Then, "Star Trek: Discovery"

Anthony Rapp is proud to be a co-founder of BroadwayCon and loves the theatre community with all of his heart. 

George Salazar

Be More Chill, The Lightning Thief, Godspell

George Salazar is best known for originating the role of “Michael Mell” in Be More Chill. Broadway: Be More Chill; Godspell. Nat'l tour: Spring Awakening. Off-Bway: Be More Chill; The Lightning Thief: The Percy Jackson Musical (Drama Desk nom.); tick, tick... BOOM!; Here Lies Love. Regional: Be More Chill; Broadway Bounty Hunter. TV: "BULL" (CBS); “Divorce" (HBO). Recordings: "Two-Player Game," "Be More Chill" (OCR & OBCR), "The Lightning Thief," "Godspell," "Brooklyn Crush," "Moment by Moment." For more info, visit www.thegeorgesalazar.com. @georgesalazar

Christopher Sieber

The Prom, Matilda, Shrek

CHRISTOPHER SIEBER started performing shows in his parents living room where he was a triumph at age 7 in The Christopher Comedy Cavalcade of 1976 seen by both his parents and unsuspecting neighbors driving by. Then, BROADWAY: The Prom, Matilda, Pippin, La Cage Aux Folles, Shrek (Tony, Drama Desk, Drama League,Outer Critics noms) Monty Python's Spamalot (Tony Nom and West End Production) Chicago, Thoroughly Modern Millie, Into the Woods, Beauty and the Beast, Triumph of Love.

Television: "Law and Order SVU," "The Good Wife," "The Good Fight," "Elementary," "Ed," "Sex and the City," "Pushing Daisies," "It's All Relative," "Two of a Kind," and lots of daytime TV such as "Guiding Light," "All My Children," "Another World," where his many recurring characters never went anywhere....

Jennifer Ashley Tepper

Be More Chill

Jennifer Ashley Tepper is producer of Be More Chill, currently playing on Broadwaym and Broadway Bounty Hunter, which will play off-Broadway in 2019. These projects are part of a decade-long collaboration with Joe Iconis & Family. She is also the Creative and Programming Director at Feinstein’s/54 Below, where she has curated or produced over 3000 shows. She is the co-creator of the Bistro Award-winning concert series, If It Only Even Runs A Minute, and conceiver and director of "The Jonathan Larson Project," a song cycle of Larson’s unheard work, which received its world premiere in 2018 and recently recorded an original cast album. As a writer, Tepper has authored three volumes of "The Untold Stories of Broadway" series, published by Dress Circle. On Broadway, Tepper has also worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman.

Fredi Walker-Browne

Rent, "The Big C"

Fredi is best known for creating the role of Joanne Jefferson in the Pulitzer Prize-winning musical Rent! Most recently she appears as Ghost in Season 3 of TBS’s "Search Party." You can find her streaming or on-demand as Beverly in Rebecca Miller’s "Maggie's Plan," and Shay in Showtime’s Emmy Award-winning series "The Big C." Fredi is also an accomplished director and writer. She opened her company, Big Spoon Productions, in 1992. She is the creator of The Professional Skills for Actors Series™ and a proud advocate of arts education for students in all schools everywhere! For more information, please visit www.bigspoonproductions.com.

Sharon Wheatley

Come From Away, Avenue Q, Les Miserables

Sharon Wheatley originated and still performs the role of Diane in the global hit, Come From Away. She is a mother to two girls and married to stage manager, Martha Donaldson. An actress in New York City for 27 years, she has also appeared on Broadway in Avenue Q, Les Miserables, The Phantom of the Opera, and in the final cast of Cats at the Winter Garden Theater. She is best known as the author of "'Til The Fat Girl Sings," a memoir about growing up as an underestimated midwestern girl with big dreams. 

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Code of Conduct

Code of Conduct

You may also be interested in:Accessibility and InclusionFAQParental Permission Form

Mischief Management is dedicated to creating a fun, safe, accepting and welcoming space where fans can celebrate what they love. The safety and security of all attendees is of the utmost importance to us. Please read the below policies carefully before attending BroadwayCon.

Anti-Harrassment Policy

At BroadwayCon, the safety of everyone at the event is our first priority. We have a zero tolerance policy for harassment of any kind, including but not limited to: stalking, intimidation, offensive verbal comments, physical assault, battery, harassing photography or recording, continuous disruption of panels or other events, bathroom policing, inappropriate physical contact, and unwelcome physical attention in relation to, but not limited to: age, appearance, body size, gender identity or expression, race or ethnicity, religion, or sexual orientation.

BroadwayCon is a private event, and as such, we reserve the right to remove any person from the event at any time. If a person engages in harassing behavior, BroadwayCon Staff will take prompt action in any form they deem appropriate, including expulsion from BroadwayCon with no refund and contacting the appropriate authorities. Our policy applies to everyone at BroadwayCon, including attendees, exhibitors, speakers, special guests, professionals, press, staff, volunteers, and event security.

If someone’s behavior makes you uncomfortable, or if you witness harassment happening to someone else, you should immediately contact BroadwayCon Staff. BroadwayCon Staff will be designated by staff badges and red staff lanyards. You may also come to the BroadwayCon customer service desk to report an incident.

We ask that you abide by common sense rules to guide your behavior: If someone does not want to interact with you, don’t interact with them. If you do not have permission to touch someone, don’t touch them. We rely on your good judgement and respect for others and their property to create a fun and memorable event, and would hate for you to miss it, so please take a moment to familiarize yourself with these rules so that doesn’t happen!

IF YOU NEED IMMEDIATE HELP
If you feel like your safety or the safety of another person is at risk, then please don’t hesitate to notify a BroadwayCon staff member or security officer. You can also call the BroadwayCon Security hotline for immediate assistance at (646) 481-4438.

Weapons Policy

In order to maintain a safe space for all attendees and guests, Mischief Management has a zero tolerance policy for real weaponry. Real weapons of any kind are expressly forbidden on the premises of any Mischief Management event. (“Real weapons” are defined here as any object designed or used for inflicting harm on any person). This includes all firearms, martial arts paraphernalia, any knives larger than a pocket knife, and airsoft guns. This also applies to attendees who may have a permit or license to carry said weapon.

Any person found to be carrying a weapon of any kind may be required to turn over the weapon to the security staff and/or to have their ticket for the event revoked and to be removed from the event space.

BroadwayCon Cosplay Policy

By attending BroadwayCon, you agree that BroadwayCon and New York Hilton Midtown staff members, who will be clearly designated by visible credentials, may, at any time, inspect any costume, costume weapon, or other items you bring to BroadwayCon, and may remove any person from the event space for violation of this policy.

Please familiarize yourself with our Anti-Harassment Policy. We ask that you abide by common sense rules to guide your behavior. If someone does not want to interact with you, don’t interact with them. This also applies to attendees in cosplay. Always ask before taking photos of or with another attendee, and respect your fellow attendees’ right to say no. If a person engages in harassing behavior, BroadwayCon Staff will take prompt action in any form they deem appropriate, including expulsion from BroadwayCon with no refund and contacting the appropriate authorities.

We understand that our attendees may be cosplaying as characters who carry weaponry. All attendees agree to abide by our Weapons Policy as well as any policies enacted by the VENUE. Prop and/or costume weapons are permitted at BroadwayCon as part of a relevant costume. However, all prop weapons must be:

A. CONSPICUOUSLY FAKE
If your costume weapon looks realistic, federal law requires that it be either translucent enough that the inner mechanics are visible, or at least half-covered with solid white or bright red, orange, yellow, green, blue, purple, or pink.

B. CLEARLY SAFEGUARDED
Different styles of props will have different needs. Below, please find a non-exhaustive list of ways in which to safeguard your prop weapon.

  1. Bows and slingshots must be either strung with a material that cannot hold tension or completely unstrung.
  2. They may not have the capacity to fire a projectile.
  3. Arrows may not be tipped and they must be tied together and secured to the quiver.
  4. Any kind of knife, sword, or other prop weapon with a cutting edge may not be sharpened or have the ability to cut.
  5. Any projectile weapon must be incapable of firing.

C. TAGGED BY BROADWAYCON STAFF
Upon arrival, attendees who are wearing costumes that include prop weapons must have their weapons logged and tagged at the BroadwayCon Customer Service Desk.

After you check into BroadwayCon and receive your badge, please proceed to the Customer Service Desk. One of our staff members will examine your prop weapon, catalog it, and tag it with a neon cable tie. A staff member will be available to examine prop weapons at all times during registration hours.

BroadwayCon Terms of Service

All BroadwayCon attendees and special guests are required to adhere to this Code of Conduct. The BroadwayCon badge is required for admittance to any BroadwayCon function. BroadwayCon reserves the right to revoke, without refund, this badge for noncompliance with these terms, for disorderly conduct including, but not limited to, any behavior that is illegal, unsafe, disruptive, discriminatory, or causes excessive discomfort to another person, or for sale or attempted sale of a badge. Further, BroadwayCon reserves the right to permanently exclude any person who does not comply with the Code of Conduct from future events.

BroadwayCon attendees and special guests are required to adhere to the instructions of all BroadwayCon employees and agents, all security employees and agents, the staff of the New York Hilton Midtown, and any and all law enforcement personnel.

BroadwayCon attendees and special guests agree to observe and comply with any and all policies, rules, and regulations of the New York Hilton Midtown, all laws, statutes, ordinances, rules, and regulations of the Government of the United States, the state of New York, New York County and the city of New York.

Liability

You assume any and all risks occurring before, during, or after BroadwayCon. You release BroadwayCon and the New York Hilton Midtown and their agents, licensees, assignees, and their respective affiliates and representatives from any related claims.

PROHIBITIONS
Alcohol, illegal drugs, weapons, and items that can be mistaken for weapons are expressly prohibited, even if they are part of a costume.

ACCESS
All BroadwayCon functions have limited capacities as determined by the Fire Marshal. Although your badge is required for admittance to all functions, it does not guarantee you access to any function if it has reached its capacity. All autograph and photo booth sessions are of a limited nature, and your badge does not guarantee access to all of them.


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Any of the information we collect from you may be used in one of the following ways:

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After a transaction, your private information, including your credit card number, will not be stored on our servers.

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We do not sell, trade, or otherwise transfer to outside parties your personally identifiable information. However, we may disclose this information to trusted third parties who assist us in operating our website, conducting our business, or servicing you, as long as these parties agree to keep your information confidential. We may also release your information when we believe such release is appropriate to comply with the law, to enforce our site policies, or to protect our or others’ rights, property, or safety. Non-personally identifiable visitor information may be provided to other parties for marketing, advertising, or other uses.

Cookies

We use cookies to understand and to save your preferences for future visits, to keep track of advertisements, and to compile aggregate data about site traffic and site interaction, so that we can offer better site experiences in the future.

Third Party Links

Occasionally, at our discretion, we may include or offer third-party products or services on our website. These third party sites have separate and independent privacy policies. We have no responsibility or liability for the content and activities of these linked sites. However, we seek to protect the integrity of our site, and we welcome any feedback about these sites at help@BroadwayCon.com.

Childrens Online Privacy Protection Act Compliance

We are in compliance with the requirements of COPPA (Childrens Online Privacy Protection Act). Our website, products, and services are all directed to people who are at least thirteen years old or older.

Online Privacy Policy Only

This online privacy policy applies only to information collected through our website and not to information collected offline.

Changes to our Privacy Policy

If we decide to change our Privacy Policy, then we will post those changes on this page, and update the policy modification date below.

This policy was last modified on November 16, 2013.


Terms and Conditions

Please read our Terms of Service carefully before using BroadwayCon.com. BroadwayCon.com is free to use, and by using BroadwayCon.com, you the user are agreeing to comply with and be bound by the following terms of use. After reviewing this, if you do not agree to these terms and conditions, then please do not use BroadwayCon.com.

Agreement

You agree to the terms and conditions outlined in this Terms and Conditions Agreement (hereinafter “Agreement”) with respect to BroadwayCon.com (hereinafter “the website”). This Agreement constitutes the entire and only agreement between us and you, and supersedes all prior or contemporaneous agreements, representations, warranties and understandings with respect to the website, its content, services provided by or listed on the website, and the subject matter of this Agreement. This Agreement may be amended by us at any time without specific notice to you. The latest Agreement will be posted on the Site, and you should review this Agreement prior to using the Site.

Intellectual

The content, organization, graphics, design, and other matters related to the website are protected under applicable copyrights and other proprietary laws, including but not limited to intellectual property laws. The copying, reproduction, use, modification or publication by you of any such matters or any part of the website without our express prior written permission is strictly prohibited.

Deletion/Modification

We reserve the right in our sole discretion, without any notice to you, to delete or modify any documents, information, or other content appearing on the website, including this Agreement.

Indemnification

You agree to indemnify, defend, and hold us, our officers, our employees, our volunteers, and our partners harmless from any and all liability, loss, damages, and expenses, including reasonable attorneys’ fees, related to your violation of this Agreement or use of the website.

Disclaimer

The content and services from the website are provided “as is” and “as available,” and all warranties, express or implied are disclaimed, including but not limited to the disclaimer of any implied warranties of title, non-infringement, quality, and fitness for a particular purpose with respect to the website and any site with which it is linked. The content and services may contain errors, problems, or other limitations. We have no liability whatsoever for you use of any content or services, particularly, but not limited to, any consequential, incidental, or indirect damages, including damages for loss of business, loss of profits, or other loss of money, whether based on breach of contract, breach of warranty, negligence, product liability, or otherwise, even when advised of the possibility of such damages. This website and its content would not be provided without such limitations. No advice or information, whether oral or written, obtained by you from us through the website shall create any representation or warranty not expressly stated in this Agreement. All materials on the website are provided for general information purposes and do not constitute professional advice. It is your responsibility to evaluate the accuracy and completeness of all information available on the website and any site to which it is linked.

Limits

All responsibility or liability for any damages caused by viruses contained within the electronic file containing the form or document is disclaimed. We are not liable for any incidental, special or consequential damages of any kind that may result from use of or inability to use the site.

Third-Party Websites

All rules, terms and conditions, other policies (including privacy policies), and operating procedures of third-party websites will apply while using such websites. We are not responsible for the content or opinions express in such websites, and such websites are not monitored for accuracy or completeness by us. The inclusion of any linked website does not imply approval or endorsement by us. If you decide to leave the website and access a third-party site, then you do so at your own risk.

Submissions

All suggestions, ideas, notes, and other information you may send to us (collectively, “Submissions”) shall be deemed our sole property and shall not be subject to any obligation of confidence on our part. We shall be deemed to own all rights of every kind and nature regarding the Submissions and shall be entitled to unrestricted use of the Submissions for any purpose, without compensation to the provider of the Submissions.

Changes to our Terms and Conditions

If we decide to change our Terms and Conditions, then we will post those changes on this page, and update the policy modification date below.

This policy was last modified on November 16, 2013.